The tone always comes out where you don’t expect it!
When I first heard the sound of a dozen bandoneons playing together, I was blown away. It was at the Stowe Tango Music Festival where, at the end of a weeklong bandoneon workshop, the students performed for tango dancers. They played together with the other musicians of a grand tango orchestra: violin, viola, cello, piano and double bass. The bandoneons made the orchestra sound like force of nature. My ears perked up, I stopped my conversation, and leaned towards the stage. I had heard the bandoneon countless times, unwittingly anticipating its characteristic sound in many tango pieces. But this time I was completely unprepared for the gripping sound of twelve bandoneons playing together. It grabbed me from within, sending shivers down my spine on that warm August night. I felt the same excitement that so many tango lovers must have felt before me.
On January 28 the tango world was rocked by a major event: the Pablo Ziegler Trio’s album, Jazz Tango, won the 2018 Grammy Award as best Latin Jazz Album. It was the first time that tango was awarded a prize by the Recording Academy — and the first time the larger music world became aware of the importance of a genre it had previously regarded as marginal. I spoke with bandoneonist Héctor Del Curto — who, together with pianist Claudio Ragazzi and founder Pablo Ziegler, completes the Pablo Ziegler Trio — about winning the Grammy Award. Héctor is one of the most sought-after bandoneonists, having played with Osvaldo Pugliese and Astor Piazzolla among others. Héctor and his wife Jisoo Ok are also the founders of the Stowe Tango Music Festival.