A house filled with tango

The moon shines in a dark blue sky over the San Francisco Bay. From the top of the hill I can see a million lights shimmering and reflecting in the water. As I stroll down the steep and windy road, past lush gardens hiding comfortable homes, I can hear tango music softly drifting through the air. On this balmy night, the doors from the dance floor to the terrace are open. There is the faint sound of subdued talk and laughter. As I approach the tall, multi-level house and begin to climb the steep staircase, the sounds become more distinct. I’m climbing up two, then three flights, catching my breath before approaching the last one, until at last there I am. I’m gazing at a several dozen dancers swirling around the floor and, on one side of the large room an enormous buffet bearing an overwhelming amount of delicacies. It is Friday night and a wonderful event has just begun.

The party is a by-invitation-only milonga, hosted by Sandra Kistler and Gregory White at their exquisite home in the Oakland Hills. It started about two years ago after the couple had met and decided to open the vast space of Sandra’s house to the tango community. Their aim was to create a monthly event in the tradition of a European-style salon. “We found that a lot of people in tango don’t actually know who they are dancing with,” says Greg, “unless they already are good friends.” Add to this the fact that people don’t get together for big dinners — and the idea was born for the “houseTango”. They started to invite a number of dancers from the community for “dinner and dance” on one Friday of the month. It immediately drew not just their friends, but also a large number of tango aficionados from the Bay Area tango community. The intimate setting of a milonga at their private home — which presents itself as the perfect space for entertainment with a large dance floor, elevated stage area for musicians, a grand piano, and spectacular views of the Bay — was an immediate attraction, just as were the culinary delights.

In the beginning Greg himself volunteered as the chef, preparing an enormous amount of paella, with friends bringing appetizers, desserts, and drinks to complete the buffet. After dinner, people would get up and start to dance. Some of the local tango DJ’s played the tunes for the night. But soon, word spread, and what had started as a small, semi-private event drew more than 80 attendees every month, with people coming from as far away as San Luis Obispo, Monterey, Sacramento, and the North Bay. The couple was getting concerned on how to handle the crowd. They began to ask for a donation, and then proceeded to set a fee to cover their own expenses and to pay for the tango musicians they now had started to hire. “We were hoping that would be a better way of controlling the number of people who would attend. But the contrary happened,” explains Greg, “even more people started showing up!”

And the monthly parties are only one aspect of what has now become a much larger project called “houseTango”. “It is a community of musicians, dancers, teachers, and organizers who are related to Argentine tango,” as Greg formulates it. It includes the monthly milonga, a scholarship for promising tango dancers, and a soon-to-come website for tango dancers.

“How does the scholarship work?” I want to know. Greg explains that both he and Sandra pick an aspiring young tango dancer: somebody who is talented, and they support him or her. This month’s scholarship was awarded to Dina Zarif, a young vocal talent and beginning tango dancer who sang to piano accompaniment during the salon at the house. Sandra Kistler had acquired on behalf of “houseTango” the scholarship for Dina in the form a full-day festival pass for the upcoming Official USA Argentine Tango Championship. The certificate was presented by Andrea Monti, the organizer of the Tango Festival.

But there is a lot more to come. The next goal for “houseTango” is a comprehensive website which, according to Greg, is going to be not only an improvement of the long-existing and popular TangoMango site but also a social media site for tango dancers. People will be able to create their own profiles, post news about themselves, and search for tango events. “The site will be geo-mapped”, explains Greg, “so people can find their way conveniently to events nearby or far away.” They should also be able to see which of their friends are attending which event at any particular day, thereby making it easier to connect with their favorite dance partners. The site will have different sections for social dancers and professionals, organizers and performers. There will also be tickets for tango events on sale. “We want to make it a common marketplace for tango dancers”, says Greg, “where people can find everything without having to browse the web.” The site has its own domain name: www.housetango.com and is already in its beta version.

And there are more plans for “houseTango”. A separate apartment in their private home will be reserved and rented for a special monthly rent to tango dancers who qualify for a scholarship. There are plans for using part of the space for yoga or pilates classes, art exhibitions and practicas. But this may not happen for a while. For now, the couple has its hands full by organizing and hosting the much beloved monthly parties at their home. “It takes weeks to prepare for each event”, says Greg, “and it always takes us a couple of days to recover afterwards.” He says it with a smile on his face though. And I can tell that they both love it, especially Sandra who glows with excitement every month as she opens the doors to her house: “That’s what this house is for”, she told me one evening as the crowd had taken over her kitchen, dance floor, the lounge area upstairs and the terraces, and all the sofas and chairs had been taken by her guests while she herself was sitting on the stairs to rest her feet for a moment, “it’s supposed to be filled with life and dance and people having a good time.”


Preparing for the Argentine Tango USA Championship 2015

Preparing for the Argentine Tango USA Championship 2015

It is Thursday evening and Andrea Monti walks in to a popular Milonga in San Francisco. She just returned from a trip to New York where she was promoting the “Argentine Tango USA Official Festival & Championship 2015” which starts on April 2 in San Francisco. Prior to her New York trip she traveled to Los Angeles, also promoting the Festival, giving interviews about the four-day event on local and national radio and television stations, the biggest and most important of them being CBS. As a matter of fact, she says, ever since CBS discovered that an official branch of the Argentine Tango Championship takes place in San Francisco, they have been eager to report about it.

Andrea Monti brought the event to the United States in 2011 and has been its main organizer ever since. Now, in its fifth year, the media is beginning to take notice and approaches her. “CBS even sent a television team to the Festival and Dance World Cup in Buenos Aires to follow the couple that had won the US Championship”, she says proudly. Winning the National US Championship is the ticket for competing at the World Tango Dance Tournament or “Campeonato Mundial de Baile de Tango”, better known as “Mundial del Tango”. That’s where the world’s best Tango dancers are competing against each other over the course of a 2-week dance marathon. Its US preliminary is still young and happens on a much smaller scale, but thanks to Andrea Monti’s tireless work it has gained respect in the Tango world of Argentina.

Seemingly tired, but passionate about the upcoming four-day event nevertheless, Andrea talks about how the Competition and the Festival, which comes along with a number of workshops and nightly Milongas, has completely taken over her life. “It’s like having a baby”, she says. “It stops everything else in your life.”

Both she and her partner at the time, Hugo “Gato” Valdéz, had the idea of bringing the Argentine Tango Championship to the United States a few years ago. They had been performing, choreographing and teaching Tango for 15 years and saw how Argentine Tango was growing in popularity in the States. Andrea had also been working for the Argentina Tango Association and served twice as a judge on the panel of the World Championship in Buenos Aires. “A very exhausting experience!” she exclaims. “The judges are evaluating 500 couples. And all of them are dancing on a very, very high level. You have ten couples to judge over the course of three songs, take notes and score them.” It adds up to 45 hours of very intense work.

But this was nothing in comparison to what she saw herself confronted with once she began to investigate the so-called “canon”, the Tango Associations’ rules and regulations for becoming the official preliminary and holding the Official Argentine Tango Competition in the US. “The Association controls everything”, Andrea explains. “From the specific kind of venue at which the competition has to be held to the fact that the teachers who train the dancers are not allowed to be on the judging panel – it’s all covered in the canon. We have to pay them for the rights to hold the competition in the US and for an auditor from Buenos Aires to watch over the event.” No wonder, she says, that there are only seven official branches of the Tango Dance World Cup in the world, Japan, England and Greece being among them. It is a huge undertaking which is costly both in terms of finances and time. “It costs us about $50,000 to hold the event in San Francisco”, she says. And that is just to cover the expenses. “And I bring work to the teachers”, she says laughingly. “Because so many people are taking private lessons to prepare for the competition.” It keeps her occupied nine to ten months out of the year, and for at least two weeks before the event she stops teaching to focus on the event. And then for two months after the completion, she is busy updating the website and wrapping it up.

She says that having been a dancer and artist it seemed an impossible task for her to become the organizer of an event on such a big scale. “I had to learn a lot”, she says, “about logistics, promotion, finances and how to work with a web designer.” In short, she had to learn to run a business. Fortunately, she was able to recruit a sizeable staff of volunteers, ten of whom have been serving on the organizing committee from the beginning on. Then there are about another 40 volunteers who help during the milongas in the evenings and the workshops during the days. But she is still the person who holds all the strings and serves as the head of all the organization. Consequently, her phone never stops ringing. What is she getting out of it? – “Satisfaction!” she exclaims with a glowing face. “The satisfaction when I see it all coming together is indescribable!”

But there must be disappointments as well? What is it like, I ask her, for the couples who lose, who come in second or third? “The elimination is cruel”, she admits. “There is a lot of drama, because everybody wants to win.” Which is very different from the way dancers compete in the World Cup in Buenos Aires: “The people there come because they want to participate. It’s about becoming a better dancer and of being part of the most important Tango event in the world. But in the US, people compete because the want to win.” Consequently, there is a lot of disappointment when couples are eliminated; there are even arguments with the judges. “That would never happen in Buenos Aires”, Andrea says. “It surprised me at first a lot when dancers started arguing with the judges here in San Francisco!” But she has learned to deal with the unruly behavior of competitors and explains to them that a competition is not always fair. The judges take a brief look of the dancers, then turn to another couple and take notes, during which they are unable to watch what’s happening on the dance floor. That way, of course, they may miss a particularly good step or only see a movement that isn’t as well performed. It’s like taking a snapshot of someone’s dancing. It can never be the complete picture of someone’s dancing skills.

Nevertheless, for this year’s Competition, 36 couples have registered for the Salon Tango category and 15 for the Stage Tango category. So far, Andrea Monti is counting on the attendance of 1,000 to 1,200 dancers, workshop attendees and spectators over the course of the 4-day event, similar to previous years. We will be curious to see who the winner is.

Hello Tango World!

This is my very first Tango post. I’m very excited! My plan is to write a new story every week about what’s interesting in the Tango world. I want this blog to be different. I hope it’s going to be interesting enough for you to come back and read every single story. Tango is a mini cosmos filled with music, dance, personal drama, passion, sadness, adventure, change. You find people of all ages, all social backgrounds, all races and all political view points. They come together because they have one thing in common: Their fascination with Tango! I hope that my blog will attract both Tango aficionados and people who know nothing about Tango. We are not as weird or different as you may think! And even if you never get into it, if you never learn the dance or never even like the music, I hope you will continue to read! And please feel free to send me your suggestions about what you may think is worth blogging about in Tango! Hope to see you around a lot!