Tango at a Golden Age


On this Friday, Waverly is taking his first ‘real’ Tango class. We’re at the Senior Center in Emeryville, CA, where Ivan Shvarts is teaching a class with basic steps and exercises. Most of his students are in their sixties and seventies, some in their eighties and even nineties. Some of them have danced for a long time and now want to learn Argentine Tango, others have no dance experience at all. Some of them come as couples, others come by themselves. Ivan makes sure everybody teams up in his class and that nobody is left without a partner. However, somehow he can’t convince Waverly to take a partner. Waverly wants to learn on his own throughout the class. “I’d be fearful for my partner,” he explains to me. “I might lose my balance and cause her to fall.” From a distance, he watches Ivan and practices by himself what he sees. He appears to be amazingly light on his feet and at the same time centered from the core, his earlier dance training clearly showing through. His teacher is thrilled. “You have to come over and talk to this guy!” Ivan exclaims to me. “You wouldn’t believe it – he is just recovering from a major stroke!”

Waverly Jenkins was 64 years old when he suffered a severe stroke. Back then, about 4 years ago, he collapsed in his home in Washington, D.C., and lay helplessly on the floor for several days. He couldn’t get up, he couldn’t walk. Half of his body was paralyzed. It took him 2 days to make his way across the floor to the phone to call his friends back home in Berkeley. But what Waverly had not realized up to that moment was that he had also lost his ability to speak. His friends were unable to understand what he was trying to say. All he could do was mumble in an incomprehensible way; he was no longer able to form words with his mouth. He had lost control over his speech. His friends 3,000 miles away realized something was very wrong and called an ambulance. He was taken to the hospital where he stayed for 35 days, receiving in-patient treatment.

From then on it was a long and steep journey through recovery. He had to learn to walk and to talk, to eat, to dress and to move around by himself. But his prognosis was good because of what he had learned in his younger years. “I was designated a ‘recovery case’,” he says, “because I was trained in ballet and Afro-Jazz when I was in my twenties. Later I trained in martial arts and received a black belt.” For his medical team that meant that Waverly’s body was able to draw on what it had learned in his younger years and that he would be able to recover from the damage the stroke had caused. They also told him that Tango was a good way to learn walking. It struck the right chord with him. He had always wanted to learn to dance Tango, and now Tango could help him to recover. What an incentive to work even harder on his prescribed therapy! “I knew the steps because I had watched a lot of Tango on YouTube,” he explains. “So when my medical team watched me walking in a walker, they didn’t know that in my mind I was actually dancing Tango.”

For Ivan Shvarts, stories like Waverly Jenkins’ should no longer come as a surprise. He’s been teaching Argentine Tango to people ranging from 50-somethings to 90-somethings since 2009 and has seen many of them go through major transformations, both physically and mentally. Some of them had been using walkers or other walking aids for years, but learned to move without them after taking up Tango. He shows me a video from one of his students at the Veterans Memorial Senior Center in San Francisco. “This 93-year old lady is one of my favorite students,” he says proudly. I’m watching a tall, well-maintained lady as she moves around the room with her walker, but who then follows Ivan to the dance floor, leaving the walker behind. She enters his embrace and begins to move rhythmically to the music, a big smile on her face.

On another video, he shows me Mr. Way, a relatively new student who is at the same time the oldest one in his classes. At 104, Mr. Way appears surprisingly agile and shows a fine sense of humor. As an American citizen who was born in Japan, he says that “they cannot decide whether I’m 104 or 100 years old. But it doesn’t matter to me!” Learning to dance a complex dance like Tango seems like just another thing to learn that he’s curious about. “I’ve been dancing for 30 years,” he explains, “but mostly Swing.” He delivers a touching little performance with his partner for the camera — proof that Argentine Tango can be danced at any age. His steps may be small and his repertoire still limited, but he dances with his heart and soul to the music and with perfect phrasing, providing the perfect frame for his partner.

Why do people come here and what are the benefits of learning Tango, even at an older age? “It gives me more flexibility”, says Irina who is one of Ivan’s Tango students and practices with her partner Derrick 3 times per week. She also does Yoga and goes regularly to the gym. Because of Tango her body now has the flexibility that she wasn’t able to achieve through any of the other exercises. “It’s so important to stay flexible as we get older,” she says. As our muscles tighten and our body shows symptoms of aches and pains that we didn’t have in our younger years, Tango can help to stay fit even at an old age.

“People get healthier and happier,” says Ivan. “I’ve been watching my older students go through tremendous transformations.” As their overall health keeps getting better, they are also beginning to have a social life that many of them were missing in previous years. Being surrounded by other Tango aficionados once a week and learning to pay attention to the way they move, they also start paying more attention to their appearance. It goes without saying that they show up for class carefully groomed and put together. “It’s so much fun to see some of the ladies digging for clothes in their closets from the 1950’s,” Ivan says, “and then getting dressed up for our milongas!”

His own mother was a passionate Tango and ballroom dancer for most of her life. After she died in 2000 at the age of 91, Ivan found a note at her bedside. She had written that she wanted him to learn to dance Tango. “She died in the afternoon,” he says, “and the next day I took my first Tango class.” He fell in love with it, traveled to Buenos Aires, took classes with some of the most famous teachers, and began teaching seniors himself after moving to San Francisco from Los Angeles in 2007. His classes gradually grew from 6 to 30 students, and now with three classes per week plus a milonga every Sunday he is quite busy. His senior Tango program which, as he says, benefits seniors and others physically, mentally, and socially, has now become a non-profit organization and offers scholarships for seniors with disabilities. Ivan lovingly named it ‘Golden Age Tango Academy’, a fine reference to the ‘Golden Age of Tango’ from the mid-1930’s to the early 1950’s which produced some of the greatest orchestras and composers, Juan d’Arienzo, Francisco Canaro, and Aníbal Troilo among them.

Ivan has been invited to teach veterans with PTSD at the War Memorial Building in San Francisco. It is a new class which is likely to receive public funding. “I already have a few students with PTSD in my class,” he says. “It is touching to see how Tango transforms them. This one guy has to take a dozen pills or so a day, each one costing around $60, and he lives a totally constrained life. The only time he can socially interact and communicate is during my Tango class once a week.”

There is also a sad perspective to working with older people. Ivan knows of seven of his students who have died over the years. “But I’d like to think that they died happy,” he smiles, “because they danced Tango until the end.”

Image: “Maud was delighted to find she no longer needed her walker.”



Author: andrea

Born and raised in Germany I came to California and worked as a freelance journalist for some of the most important German daily newspapers. It was here that discovered the passion of my life: dancing. I began to perform, compete, teach, all the while working fulltime as a professional translator and writer. My stories here reflect my own personal view of what’s happening in the world of Argentine tango.

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