Tango Pros: How are they doing now? (Continued)

A few weeks ago I read an article in the New York Times about the dire situation of artists in this country (‘Can the Arts Bring Us Back? Yes, if We Bring Them Back First’, NY Times, January 17, 2021). The author, Jason Farago, points out the importance of the arts for us as a society and deplores the fact that artists in this country don’t get the recognition they deserve. Which is shown, for example, by the fact that freelance artists do not receive unemployment benefits, unlike most other economic sectors. Just as I had anticipated when I started to read the piece, Farago explains why France and Germany should lead as role models.

Dreams on hold: Valerie Kattenfeld

I’ve never met Valerie Kattenfeld in person. Actually, I never even knew about her until recently. We happen to be both in the same Facebook group, ‘I’m not dancing, so this is what I did instead’. It is one of the groups which emerged in the wake of worldwide lockdowns in March. Both Valerie and I expressed our befuddlement about our respective postings which had been removed by the group organizer. We then started to talk privately and it turned out that she had read some of my stories. Then she started to tell me about herself. I was both astonished and dismayed to hear her story. I couldn’t stop thinking about her hopelessly entangled situation down there in Buenos Aires. And I thought that her story, which stands for so many countless others, should be told.

Valerie Kattenfeld
Valerie Kattenfeld in Buenos Aires. Photo: private

 

Karina Romero, New York City: tango teacher and organizer

The last time I talked to Karina Romero she had just rebuilt her career. That was in 2017, a year after she had split up with her long-time partner and husband, Dardo Galletto. She had given up her share in their successful tango studio in Manhattan, and moved out of their apartment with her two daughters Malena and Camilla, who were ten and seven at the time. She rolled up her sleeves and began teaching by herself, and turned into an organizer of tango events in and outside New York City, including participating in the renowned ‘Stowe Tango Music Festival’ in Vermont. And then she snatched up a desired teaching gig: She taught Liam Neeson, the acclaimed movie star, for a tango scene in ‘Mark Felt: The Man Who Brought Down the White House’ — a major Hollywood production. In a few weeks she taught the shy actor, who claimed to have no dance experience at all, the basics of Argentine tango. It was another feather in her hat for Karina Romero, who had come on her own as a young woman from Argentina for a new life in New York twenty years ago.

Karina & Jorge
Karina Romero with her partner Jorge Carmona. Photo by Camilla Galletto (9 years old)

Christy Cote, San Francisco, California: tango teacher, performer and choreographer  

Christy is my ‘tango mom.’ She was my first tango teacher when I started learning tango in 2009. I had known her for many years before, when I was a student at the ballroom-dance teachers’ college at the Metronome, at the time one of San Francisco’s most respected and popular dance studios. I wasn’t into Argentine tango back then, but I kept seeing Christy at the studio and I loved watching her at our student – teacher showcases at Fort Mason. I thought her choreographies, her outfits, and her dancing were most charming. She was approachable and friendly without knowing me, and so I trusted her enough to finally take one of her tango boot-camps for beginners. I had fun and enjoyed her teaching so much that I signed up for her regular Tuesday evening classes. The rest is history. Now Christy Cote is without doubt one of the most established tango teachers in the Bay Area. She began teaching full-time in the mid-nineties, and will be celebrating twenty-five years of teaching next April. Now, however, her future, like that of other tango teachers, is uncertain.

Christy Cote
Christy Cote from San Francisco, Argentine tango teacher, performer, choreographer
Photo by Tanya Constantine

Dario da Silva & Claire Vivo, Aix-en-Provence, France: owners of Aix-en-Tango, teachers and performers

I had heard a lot about this couple in the South of France. They had started a vibrant tango community out of nowhere in New York’s Capital Region in the early 2000s, then moved to southern Europe where their career took off. With a flourishing tango school and performances all over Europe, they have made a name for themselves in the world of tango. I was curious to find out what their situation in France was like.

Claire & Dario
Claire and Dario da Silva. Photo courtesy of Dario da Silva

Andrea Monti, San Jose, California: owner, founder and director of ‘Argentine Tango USA’ the official Argentine Tango USA Championship & Festival

Andrea Monti announced a fundraiser with the seemingly outrageous goal of $45,000. Oh my, I thought. She was trying to recover her advance expenses for ‘Argentine Tango USA’ (ATUSA), currently the biggest tango event in the United States. I closed my eyes and made the call, worried about what I would find out. 

Andrea Monti
Andrea Monti, founder and director of the ATUSA