Orlando Farias, Buenos Aires, Argentina: performer and instructor

Orlando Farias has been traveling throughout Europe and the United States for the past two decades, teaching and performing. I first met him a few years ago when he came as a guest artist to Upstate New York. Coincidentally I saw him again shortly afterwards when he spent a week teaching in the San Francisco Bay Area. Unfortunately it turned into a short and disappointing gig for him; poorly organized and promoted. But it was a great opportunity for me to learn from him in a smaller group of people, and we became friends.

Orlando Farias. Photo courtesy of Orlando Farias.

Tango in the Time of Covid, or: The end of Tango?

Introduction

This is a series about tango professionals worldwide in the crisis of Covid-19. Their stories, and their different reactions, provide a unique snapshot of everyone’s changed reality. The sequels originally appeared during the height of the pandemic from May 2020 through March 2022.

Christy & Eduardo
Tango professionals Christy Cote and Eduardo Saucedo.
Photo by Jason Eng

The Tango Barn

Dancing in the barn
Photo: Courtesy of Flo and Fred Luckey

I love dancing at unusual places. Over the years I’ve been to a number of venues that seemed unlikely settings for social dance events such as milongas, but which later turned out to be the best and most memorable ones.

Such was the case when I was first told about what sounded like ‘Moolonga’ in Washington County, New York. My initial thought was they must have made a mistake! I understand these people live in the country, but they must know that it is called ‘milonga’. “No, no,” I was assured, “you’ve heard it right, we’re calling it ‘MOO-longa’ precisely because we do live in cow country,” explains Fred Luckey, dryly.