Tango Festivals during Covid: Organizers are attempting a balancing act

Organizers are attempting a balancing act

Festival y Mundial de Baile
A picture from the past: the “Festival y Mundial de Baile, Buenos Aires” (Photo: Tango Buenos Aires)

After thirteen months of being almost exclusively online, Argentine tango is gradually making its comeback to the real world, that is, here, in the USA. From small private gatherings to public outdoor milongas and even some of the better known tango festivals, tango dancing in person is bit by bit becoming a reality again. The first signs could be seen back in March when a handful of festival organizers began to announce that their national events would return this summer, foremost of which were the ‘Windy City Tango Festival’ in Chicago, ‘Burning Tango’ and ‘ATUSA’ in Northern California, and the ‘Tucson Tango Festival’. These popular nationwide events which usually attract a tango crowd of several hundred or more dancers are scheduled to take place as early as June and July, despite ongoing Covid restrictions in most states. And registrations from all over the country have been going strong.

Tango pros: How are they doing now? (Last)

Sometimes I wonder what would have happened had I stayed in Buenos Aires last spring. My visit was cut short by the outbreak of the pandemic. I had arrived in the first days of March, not sure whether I had done the right thing by sticking to my travel plan and not sure what to expect. My plan had been to spend several weeks in Buenos Aires studying Spanish in the morning and tango in the afternoon. The first cases of Covid-19 had arrivd in the USA, but Argentina still seemed a safe place. I was naïve, as were most of us. But I had no idea how quickly the virus was going to spread, and that it in no time it would turn into a pandemic.

Tango Pros: How are they doing now? (Continued)

As the days grow longer and things altogether seem to be a little more hopeful, I’m starting to make plans to return to my home in the San Francisco Bay Area. This past year I’ve been seeking shelter from crowded Oakland in upstate New York. With more space around me, it seemed a safer place to get through this terrible pandemic. With the luxury of having two homes on different coasts, in the lively years before the pandemic hit, I had the opportunity to get to know two completely different tango communities: one very large and active with different events happening every single day of the week together with many high-profile teachers competing with each other, and the other one being a rather small and more dispersed community with only a handful of local tango teachers who also teach ballroom or salsa or at local schools to make a living.

A positive take on tango: Maia Martinez and David Salvatierra

Why haven’t I written about Maia and David before? Geographically they are two of the closest tango teachers to my East Coast home, which is where I have gradually shifted the center of my life over the past few years. On a personal level I have known these two ever since I started tango here in upstate New York. They were still dating, and Maia had just begun to teach David everything she knew about Argentine tango; he had been a dedicated salsa dancer and part-time teacher until then. I watched them moving ahead with their teaching, becoming professional teachers. Then I saw them getting married, starting a family, and moving from Newburgh further north to the Hudson Valley, closer to where I live. I became a regular at their tango events, and saw their community grow, and in return both of them supported me and my partner when we hosted musicians from Argentina. So why have I not written about them until now? The answer is simple: because they are too close. It is a delicate matter to write about people you know well. There is a personal relationship, and writing reflects a different image both of the people you write about as well as about yourself, the writer. So I approached the subject of Maia and David slowly until I at last felt confident that the time was right. Here then is my story: a couple of tango professionals in an unlikely rural area of America; a tango story in an unusual setting with a surprisingly positive take on the future of tango.

David Salvatierra and Maia Martinez. Photo courtesy of Dojo Dance Company

Dreams on hold: Valerie Kattenfeld

I’ve never met Valerie Kattenfeld in person. Actually, I never even knew about her until recently. We happen to be both in the same Facebook group, ‘I’m not dancing, so this is what I did instead’. It is one of the groups which emerged in the wake of worldwide lockdowns in March. Both Valerie and I expressed our befuddlement about our respective postings which had been removed by the group organizer. We then started to talk privately and it turned out that she had read some of my stories. Then she started to tell me about herself. I was both astonished and dismayed to hear her story. I couldn’t stop thinking about her hopelessly entangled situation down there in Buenos Aires. And I thought that her story, which stands for so many countless others, should be told.

Valerie Kattenfeld
Valerie Kattenfeld in Buenos Aires. Photo: private

 

Eduardo Saucedo: A time for reflection and new opportunities

My very first private tango lesson was with Eduardo Saucedo. I was still a tango baby, barely one year into dancing Argentine tango, and he was a star at the tango firmament: a master teacher, dancer, choreographer, and producer of tango shows. I was attending the ‘Congresso Internacional de Tango Argentina’ (CITA) in Buenos Aires at the time, the biggest event in the world of tango during which I took a workshop with Eduardo and his then partner, Marissa. Not only was I deeply impressed by his teaching, but at the end he brought me – just as every other student in the room – to tears when he spoke about the deeper meaning of tango in life, of love and passion, and of believing in yourself. Then they both gave each of us a red rose. There wasn’t the slightest bit of sentimentality or fake feelings. Even we less emotional Northern Americans and Europeans could sense that what he had just delivered was profoundly honest and had come straight from his heart.

Eduardo Saucedo
Eduardo Saucedo, master teacher, dancer, choreographer. Photo courtesy of Eduardo Saucedo